This album is obviously not as raw as the very awesome "Rumpus of the Undead" demo, instead it's much more concise and dare I say "matured." I don't mean mature as a way of saying that Abhorer decided to start furiously masturbating to the uber-technical death metal albums that were being churned out or that they decided to mimic Coroner on "Grin," but the structure of the music was definitely better and provided some memorability to the chaos captured on "Zygotical Sabbatory Anabapt."
While the song titles are all completely bombastic, the music itself is pretty simple. The riffs range from razor sharp death metal tremolo bursts that are incredibly fast (Although, a lot of that speed comes from the intense drumming) which is made apparent as soon as the intro track is over and "Concubinal Celibatic Myrmidonian Whores" shreds through the speakers, to crushing midpaced riffs that would bring down the Wall of China (Get it? Because they're from Asia) most specifically on the song "Dom Abaddoniel Abysstic Demonolatry." There's also some melodic sections, but they're downright evil and are guaranteed to leave goosebumps. "Hymeneal Altar of Messianic Salicitation" meshes together the sinister melody with Crucifier's morbid vocals flawlessly for a dark atmosphere that isn't unwelcome at all.
That is pretty much the whole story on "Zygotical Sabbatory Anabapt," and aside from the one doomy riff in "Dom Abaddoniel Abysstic Demonolatry," most of the music here follows the same sound. This is definitely a standout album of the black/death genre, mainly due to it not being as extreme as bands like Bestial Warlust and Blasphemy, but just for being all around brilliant and adding to Asia's extreme metal scene.
"Concubinal Celibatic Mymidonian Whores"
"Phlegethonic Sybartical Demimonde"
"Dom abaddoniel Abysstic Demonolatry"