Saturday, September 22, 2012
Snyper - Obituary  (Demo)
For a demo being released in the same year as the previous and somewhat immature installment ''Manifestations'', UK hit n' run thrashers certainly stepped up their game up by a good pace. Not only does Snyper ameliorate the material on the previous demo to form a robuster demo, but ''Obituary'' also stands out with its dexterous approach, its leaps and frivolous excursions, all building up into a single fifteen minute demo of three songs - possibly the best the UK thrashers will ever conjure. Seriously, you can never go wrong with such vigorous splashes in the face like this, and with a itsee bitsee bit of experimentation, Snyper are in the top of their game.
The ''experimentation'' I'm talking about here is lucidly not any major change in the bands style, and in fact, it would be wrong to actually call it an experimentation, but the thing is, on ''Obituary'', Snyper adorn the bloodthirsty thrash craze with fragments of queer twists, which, probably belongs to the same kind of ecstatic diversity on the previous demo, only more embraced. First off, there demo has a far crisper and cleaner production than ''Manifestations'', and second, with the improved clarity and crunch, the riffs sound better executed, not to mention better penned. The band has obviously grown fonder of tremolos and brusque plods of melody entwining with carnal, raw chops and speed/thrash ruptures, and they utilize these blithe melodies to congeal with the tremolos, forming a solid hooking line of strident narrating riffs.
The vocals have stayed pretty much the same, which is something that I'm very glad about; they're still ghastly and throaty, the way I like it. This time, however, the importance of the vocals have increased. With the band sticking to the primal hostility that they had fancied quite a bit on the previous demo, the vocals become an essential part of the savagery department, emanating the raw insanity throughout the veins of the riff patterns and ultimately, pervading the primal energy. You're bound to have boisterous headbanging time whilst you listen to this, and moreover, this demo deserves accolades for having such a primitive and brisk feel to it, quite literally topping a good number of its fellow peers and countrymen during that time. My only complaint was that it was far too brief, as with all the band's demos, to fully enjoy, but hell, I still like it a lot.
Deathright At Sunset