Although Beherit’s “The Oath of Black Blood” is often confused for their first album, it is actually a compilation of their “Demonomancy” demo and “Dawn of Satan’s Millennium” EP, due to the recording money for the first actual album being pissed away on drugs and alcohol by the band. The music featured on these early works is, in a word; ugly. Sounding somewhere between early Bathory, Blasphemy, Sarcófago and primitive old-school death metal, this stuff is raw, frenzied and sounds like it was recorded in a cave using a blender. Clearly, a very different approach to what they would later achieve on “Drawing down the Moon”.
The first half of this release is much more primal and violent than the second half; it is here that you notice the heavy influence Beherit took from the ancient South American extreme metal scene. Chaotic and distorted riffs, simple but effective drumming and inhuman vocals assault the listener from all angles. Those looking for melody and fancy musicianship need not listen, as they won’t find it here!
The second half focuses a bit more on the experimental and ambient sounds that they would focus more on later in their career. There’s tasteful keyboard work and whispered vocals worked in with a less is more approach. It’s a bit weird to hear this after the blistering chaos of the first half, but it fits and flows well enough with the first half, still leaving “The Oath…” feeling more like an album than a compilation.
So, while not an actual “album”, I would still say that “The Oath of Black Blood” is an essential in any black metal listener’s collection. Unless you’re a pansy.
Highlights:
The Oath of Black Blood
Grave Desecration
Goat Worship
Black Mass Prayer
Final Rating: Masterpiece [9.0/10]